| Songs
From "EL MUNDO MAGICO" - Interview with Francesco Sammarco - Francesco is one of the founder of "El Mundo magico" in London/England. He has quite long times practiced ayahuasca ceremonies in Peru & Equator with Many shamans, & regulary been organizing the shamanic events in Peru since some years. and also El mundo magico has produced the CDs of Ayahuasca Shamanic Song "ICARO". Thier New Icaro CD is just coming out on this month. (check the details after interveiew text) This Interview was held via e-mail after exchanging a couple of times. For further informations, please contact elf@releasethereality.com & visit www.ayahuasca-shamanism.co.uk |
AKIRA:
How did your experiences with Ayahuasca begin?
|
| AKIRA:
How did your experience with Ayahuasca begin? FRANCESCO: My experience with ayahuasca started…with ayahuasca…many years ago! The first half of my first ceremony was delightful, the second half…just terrible. I shouldn’t have drunk a second cup, and I shouldn’t have drunk it in the city! And though the apprentice gringo shaman we drunk with had whistled wonderful icaros…he left at midnight, without waiting for everybody to be back in shape (i.e. me, still lying on the ground), saying “sorry guys…I can’t stay here any longer, I have to go and get the taxi!” …No comment! … We all drunk there for the first time. Few people had magical visions, so the purge was good. Others - me and Dino – did not have that. I saw the magic of the medicine in the movements of the young Peruvian lady who helped during the ceremony, whilst shaking her schacapa fan. I saw these sacred rhythmic movements like coming from another world. She was – to my eyes – the emissary of the medicine. It’s hard to explain, it was a sensation, a feeling. Interesting enough she wasn’t a shaman, but may be the medicine had chosen her that night to deliver this sense of magic. A: Have you ever had any "Psychedric Drug" experiences before? If yes, what was the difference for you from the other psychedelics ? F: First let me put this clear. I don’t like the use of the word “drug” – which is associated in our culture (in the best case) to either LSD-like psychedelic evasion or to “ecstasy” pills, or (in the worst case) to absolutely evil stuff like heroin, crack, cocaine and the similar. It’s truly a bad association. It creates conflict in the understanding of the true nature of things. And the true nature of things is that ayahuasca is a magical medicine, is a magical plant and – along with the other teacher plants and trees used by the shamans in Latin America – to be used traditionally requires a lot of discipline and sacrifices. No one could drink ayahuasca or do a plant diet for “evasion”. You drink it to see things more clearly, to get answers, to heal yourself, to see deep inside you. Not to go away from the world. Ayahuasca enhances the perception of ourselves and of our world in a creative, substantial, un-explicable, magical way. And in a hard way too. To gain this insights on the nature of the self and of the world, often we have to suffer. It’s not a free gift. You pay something to gain these insights on the nature of the things. And even then, if you do not approach the medicine with respect, the only insight you will gain is that of your own bucket full of vomit. A famous Peruvian shaman said once that “ayahuasca is the king of drugs” and in virtue of this the medicine could cure drug addictions. It’s an interesting statement, doubtlessly true, but I am still not happy with the definition of “Drug”. It’s misleading, has lots of bad associations in our culture, and in any case points at synthetic substances whose use has nothing to do with magical visions. Drugs may induce visions, but they don’t belong to the realm of the sacred or of the magic. I am sure this shaman used this definition of aya in a good provocative way, to raise consciousness of the people. Or simply, because of a limited English vocabulary. OK, having said this about “Drugs”, I have never taken any “drug”. Somehow the very idea of using a “drug” is repulsive to me. I have tried Amanita muscaria, and Psylocibe mushrooms, many years ago, but these belong to the realm of plants and not of drugs. In my teens, I may have smoked a handful of times some “herb”, but only for curiosity. It has never been a pattern, or a habit. Besides, I didn’t like it! There is nothing so strong and powerful and at the same time so sacred as ayahuasca. May be because ayahuasca makes one see his or her own naked being in front of death. There is this fascinating association with death, unique – as far as I know – to aya-huasca, the vine of the dead. And I find fascinating this idea - and feeling - of death, and going through our own death as a catharsis. You can lie to everybody, you can’t lie to your death. As Castaneda’s “don Juan” said, “death is our eternal companion”. Yes, the idea of death, of measuring with our personal death when we drink ayahuasca, makes it all very serious. No frills. No unnecessary appendixes. Your true self – always buried beneath the social conventions – emerges victorious. To some of us, at least, is a victory. I just wish I could maintain unchanged in daily life the perception I have of the world during the drinking of ayahuasca. You see much deeper, and much stronger what is what. Enemies and friends, bandits and holy men. What you love and what you hate. Love and hatred, without false feelings. Ayahuasca - in my perception - opens up the way of the warrior, paves the way for the warrior inside us to surface. And, conversely, in order – as western – to experience ayahuasca, I feel compelled to follow the way of the warrior. During the rituals I feel and see many things, the sight of which you may withstand only coming from the path of the warrior. Sometimes the medicine is harsh. It opens up to our perception obscure realms and creatures of darkness. We see what with our normal eyes we would never have seen. The world is shown to us, is revealed for what it really is, an infinite mystery. That’s why I say that only as a warrior you can withstand the overwhelming insights on the mystery of the world offered by the medicine. All the more for us, modern westerns, sons of a decadent post-illuminist culture and civilization funded on the rational mind, and a rational interpretation of the world, the experience with the medicine is much more needed to shift of our consciousness, our consolidated experience of the world. The medicine has a revolutionary potential: it reveals us – in the most un-doubtful and straightforward way – that the world is magic. Hence “El Mundo Magico”... And the revolutionary potential of the medicine - in terms of perception of our world - is the main reason, in my view, of its ostracism in the western world, with the US at the forefront of the crusade. The seductions and constructions of the western civilization crumble during the ayahuasca experience. That world crushes under the influence of the medicine. And you discover values, essential values - like what you truly love, what you truly don’t need, what you truly hate, what you truly are - under the enormous pressure of the medicine. The social fabricated values, the whole idea of the world instilled into us from our birth, crumbles in contact with the medicine. Ayahuasca is the most revolutionary weapon available to western man to shift his idea of reality. But, it must be used wisely. It’s not for all. It’s for all those who come with humbleness, respect and reverence for knowledge. And steadfastness, too. Or, to say it with the words of Castaneda’s don Juan, with “unbending intent”. A: How bout your origin ? Are you from Peru or England ? How did you start to keep working with ayahuasca shaman ? Or do you have any other reason for your passion to Peru & South America ? F: I am originally from Southern Italy, and have spent one third of my life in London. I still find a lot of affinity and connection with the people of the Southern Hemisphere, though. After all, the New World was discovered by an Italian…no???..... When I was 13 (30 years ago) my first encounters with the shamanism – in the broad taoist sense of the word - were the “Tao Te Ching” of Lao Tsu and the “Chuang Tzu” of Chuang Tzu (my dad had the first Italian editions of these books, which was rather rare at the time, in the small southern Italian town I was living) which – like the books of Castaneda, that I discovered when I was 20 – I have carried on reading and re-reading for 3 decades, hundreds of times. That’s love, or better, the feeling you have when you walk on a path with a heart. I could read these books a thousand times and still feel their freshness, power and beauty. My interest in religions, and shamanism in particular, goes back to three decades. My first pale-ethnology essay at the University of Lecce, in Italy, 33 years ago, was about the use of visionary plants among the Navajos and other Native American tribes, which - I hypothesized - was at the origin of many of their ancient rock art creations. My Rumanian topography professor, Dinu Adamesteanu, was the “spiritual brother” of Mircea Eliade, possibly the greatest historian of religions of our times. I managed to get his address in New York (where he lived) through my professor. Unfortunately, Eliade died before I could contact him. The only limit intellectual knowledge has… is that it is… intellectual knowledge! You can read a million books a million times, but that doesn’t necessarily lead you to knowledge. With some exceptions. When I lived in Southern Italy I was used to spend several hours a day swimming in the sea. The other half of the day I spent reading the Chuang Tzu on the beach. One day I was caught in a storm, whist I was still swimming. The wind generated strong currents which in turn made water cloudy. I was been driven away by the current, despite my efforts. Then - with peace in my heart - I remembered the story (quoted in Chuang Tzu) of a man who bathed under the waterfall since he was a child, was able to swim were not even fishes and turtles could dare to, in accordance with the principle of the Tao, he followed the whirlpools in their spins, and when the current brought him down he followed it, and when he was taken up, he followed it! I was so fascinated by this story that I resorted to swim underwater, grabbing pebbles or algae to resist the current, and slowly make my way to the shore. If I had panicked I would have most certainly died, and if I didn’t had this example impressed in my mind, I would have panicked. This has nothing to do, of course, with ayahuasca shamanism. But it has something to do, in some primordial form, with shamanism and the elemental forces. May be the tale was even an allegory of a shamanic descent into the underwater realm and then back to earth. It has several degrees of interpretation. In our modern era, I see ayahuasca shamanism as a concrete way of liberation for the civilized man. I see ayahuasca as having the power to liberate consciousness and freedom from our inner being. Freedom from intellectual, perceptual and social conventions. Freedom to re-discover our place on the planet, freedom to be what you truly are. Freedom to be a warrior if you want to, freedom to be yourself. My first encounter with ayahuasca in Peru was purely casual, few years ago, though I was joining an organized tour (yes, I went through that too…) with a big group, I ended up instead in the house of don Francisco the same night I arrived in Iquitos. Could not wait to do the ayahuasca ceremony the day after, with the mythical don Ruperto too, in Sachamama. At the end of the ritual, amazed by the experience, I said to don Francisco, in Spanish: “esto es veramente un mundo magico!” The first thing I remember was the powerful singing of don Ruperto, who opened the ceremony with a special icaro. The icaro, all in quechua, was special to me as the first words began with “shammuirimun…” – an invocation to the spirits. In the dialect of the southern Italian town I grow up, in Salento, “shammurimu” means exactly “let’s go to die”! The involuntary phonetical association of the quechua “shammuirimun” with the Salentinian dialect were overwhelming to me. In the middle of the jungle, in the place of nowhere, drinking aya-huasca – the “vine of the dead” with two unknown shamans, singing – for what I could understand – “let’s go to die”... It was an initiation! I went there to die. All the ceremonies ever since done in Sachamama proved to be much more powerful and memorable. That is the way the medicine works inside me. Dino – my friend and associate of El Mundo Magico, had been in Peru before, but worked with shamans in the Andean tradition, not with ayahuasca. He then returned to Peru and lived there for nearly a year in the Loreto department of the Peruvian Amazon, “dieting” the plants in Sachamama first, with don Ruperto after, and doing ceremonies with many different maestros, including don Julio Gerena Pinedo, Francisco Silva, Felipe Ayala, and many others. He also lived with Maria Montenegro, an amazing Brazilian seer who lives on the outskirts of Iquitos. His “diet” of the teacher plants with don Ruperto was pretty a challenge: drinking un-boiled river water, sleeping on the floor, in a very rustic tambo with rain falling inside more often than not, living in complete isolation. This was in the remote area where don Ruperto lived, several hours by ferry from Iquitos. I feel very strong about the times of the Conquest. For some reason it’s one of the event in our history that exercise a deep fascination. Extreme times these were, but also fascinating. For the good and the bad. My passion for Peru is my passion for the Conquest, for the discovery of the New World, for shamanism, for the pre-Columbian civilizations, for the Incas, for the Mocha, and the other people who succeeded in walking upon that magical land. It is also my passion for ayahuasca, for the rain-forest, for the plants of that part of the world. A: After these ayahuasca Initiations, you have created "El Mundo Magico" and your ayahuasca internet site www.ayahuasca-shamanism.co.uk. What was your idea and purposes for this site? Do you have any other project between South America & Europe ? F: The reason behind the creation of El Mundo Magico lies entirely in the perception that the world is what it is: a magical and mysterious entity. The rainforest, the plants, the animals, the ayahuasca are magic. Or, better, the ayahuasca helps you to see the magic of the world. There is nothing esoteric about this, and - much less - New Age. The word magic is unfortunately abused today, from fashion firms to New Age movements and anything in between! We are magic beings on a magic earth. This is my perception of reality. This is the perspective we would love people to focus on. Dino was impressed by the invocations to green magic, red magic, white magic and black magic of don Julio Gerena, during the ayahuasca rituals with him. In Peru the tradition of magic is still alive, and powerful. It’s pretty different from the New Age shamans and perspectives: all sides of magic are invoked and dealt with. The extreme wilderness of the Amazon Rainforest and the remoteness of this environment must have been the greatest ally to the preservation of this culture. The idea and purpose of El Mundo Magico is to offer people first hand experience of this world of magic. First and foremost through the teacher plants and the ayahuasca rituals – in the native context. With different degrees of exploration, which range from the comfort and beauty of Sachamama Garden, to our shamanic expeditions to the Matzes Indians – who live in a remote area between Peru and Brazil – to our expeditions to the Aucayacu, where we offer ayahuasca rituals in special power spots known locally as supay chacra and cocha supay. This last is a beautiful lagoon, where we offer to experience a traditional ayahuasca ceremony staying inside a large wooden boat (12 m. long), at night, with two shamans, under the stars! In many respects what we offer people can’t be experienced elsewhere. We put all our intent in making magic at work! These expeditions, together with the programs in Sachamama - whether for plant “diet” or for retreat – also offer substantial revenues to local and native people, who benefit a lot from our shamanic programs in the rainforest, which are all fair traded. In line with that principle, we only work with and employ local people in our shamanic expeditions. As for other projects I have in mind the creation of a UK-based charity - with Piers Gibbon (the main actor of the Channel 4 “Jungle trip” documentary) joining in - which will have at its focus the preservation of native shamanic ethnobotanical traditions of Peru, through the creation of an appropriate reception center and sustainable travel initiatives. We would love to be in the position of offering substantial poverty relief initiatives and funds for the shamans of Peru. And that will begin with the shamans that we know and work with, and will hopefully include the creation of a structure near Pucallpa – where our beloved don Leoncio - a wonderful Shipibo shaman - wish to open a healing center and a school of shamanic medicine, as well as a center in the Aucayacu. There is an absolute need for funds. If there is any fund-raising expert out there, please do get in touch with us! A: What do you think any other "Ayahuasca Tour" things organized by general "Western" people ? F: I do respect the work of people seriously committed in their mission of offering life-changing opportunities and challenges through the ayahuasca medicine. The expeditions we organize are not “ayahuasca tours” though, and I humbly believe we are definitely one of the very few - if not the only - organization around offering shamanic ethnobotanical expeditions to the remote areas where the Matzes Indians live, for instance. Our shamanic expeditions to the Aucayacu are also unique, in character and nature. You do ayahuasca ceremonies on special power spots, known in Quechua as supay chacra and cocha supay. The ceremony held on this last power spot, an enchanted lagoon, is held at night, on an 12 meters long wooden boat, under the stars, with two shamans! You can’t call this an “ayahuasca tour”. These are not New Age tours and we don’t work with New Age shamans. Our shamans are truly and authentically “Old Age” , in the timeless sense of the word. You also get a different sense of humanity, which in the west is disappearing. A: Can you tell me all bout your personal"Ayahuasca" experiences since beginning ? Do you have had many sessions with local shamans in peru ? Who are they and what their name is? How did you meet them? F: I think I have already answered part of the question. But, rather than going through all my ayahuasca experiences, which will take a long time, I will dwell on my most unforgettable ceremony. And this was in Sachamama, last September (2002), during the night of “el viento de Santa Rosa”, a tropical storm. The night sky was illuminated by spectacular lightening, the silence of the night broke by ferocious thunders and a stormy wind. Each time I drink the ayahuasca of Sachamama I get some radical messages from the medicine. That night, though I only drank half a cup – because I didn’t want to have too strong visions and experiences…. - I had the vision of the “Untamable Warriors”. The words came out in Italian, “I Guerrieri Indomabili”…and I kept on repeating this phrase for most of the night. It was incredible! I have never drunk so little medicine, and I have never experienced the power of the medicine as on that night. I have also experienced for the first time the divinatory powers of the medicine. I saw that the war in Iraq would have happened, that Saddam Hussein was a blood-thirsty bandit (and that he will be eventually eliminated); I saw that Mr Bush was not talking in name of the American people but in name of the dollar; I asked the medicine to held him accountable for war crimes; I have seen “the suffering inflicted on my Muslim brothers”, “mass arrests”, “violations of human rights”, “war crimes”, “torture”, “raping”, abuses and other delights. Ayahuasca re-awakens our dormant sense of justice. I was suffering a lot, feeling all this - the price to pay to the medicine - but my consciousness was also like a sharp razor blade, and I felt a radical urge for justice. That ayahuasca was simply extraordinary. When the ceremony finished, around 1 am, I returned with Ignazia (my partner) to our tambo. She saw a creature, like a black human shape lurking on the front area of our tambo. This creature than moved and jumped on the ground, between the bushes, squatting like a monkey. Ignazia was sure it wasn’t neither a monkey or a human being. I yelled ferociously at the creature, and it disappeared in the vegetation, in the darkness of the night sky, often illuminated by thunderbolts. The mareacion for me lasted until 4:30 in the morning. I was in physical pain, but my heart was happy, and my inner self even more. I was in total, absolute peace with myself. No doubts about anything. All was clear. Finally, towards the early hours of the new day, I got the message from the ayahuasca: “ La barca dell’amicizia e’ piena di immensi tesori, per tutti”, i.e. “the boat of friendship is full of immense treasures, for everybody”. I am still puzzled at the meaning of this words, why “the boat of friendship”? I have always felt deep attraction for wooden boats and ships. It’s the symbol of the journey, of the navigation in this and other realms. Coming back to your question, about the number of ayahuasca rituals I did, I don’t think it’s a matter of number, though I must have drunk it about 30 times. I drunk the medicine in Peru with different maestros and elsewhere in Europe too. But number doesn’t count. There are people who practiced martial arts for 20 years, and have repeated for twenty years the same wrong thing. The same for Tai Chi. What we usually get in the West is a diluted, watered down, new-age-ish form of tai chi. Go to China, go to the Chen village, go and study with Grand-Montesmaster Chen, and all of a sudden you discover that you have been dancing, rather than doing the martial art that Tai Chi in essence is. It’s not about quantity, it’s about the quality of the experience. There are people in the west who like this sort of unconscious competition, even with themselves. It’s not important how many times you drink, it is important how you drink, when and where you drink, what you drink and with whom. If you do 300 rituals at home (on your own or with your friends) you may not match the powerful experience of 1 ritual in the rainforest, with a powerful shaman. I have personally drank in Peru with don Francisco Montes, don Ruperto Peña Shuña, don Agustin Rivas, don Leoncio Garcia Sampaya, don Julio Gerena Pinedo, and don Alberto Torres Davila. Dino, as I said, had the opportunity to do many more ceremonies with many more different maestros, but I don’t necessarily rate the number of drinks as extremely important, though it may nevertheless be a great experience to drink ayahuasca with lots of different shamans. Sometimes, I warn you, it’s not a recommendable thing to do in Peru. At least if you don’t know well the people you are drinking with. There is a diffuse practice of bounding people to drink with the same shaman, which I understand and accept, and at the same time, I don’t understand and I don’t accept. Trying to be the more detached possible, I see it like learning martial arts with a maestro. If there is a consolidated relationship maestro-disciple, then I find it not only acceptable, but also necessary this bound of loyalty. However, in the context of occasional ayahuasca ceremonies - when there is not necessarily a maestro-disciple relation - I don’t accept this rule, and I don’t like the practice of bounding anyone. I love freedom. In any case, one should always be free to learn and evolve, and if that goes through drinking with different shamans, that’s good. But be cautious with whom you drink. There are always dangers associated with new discoveries…..Always. Especially when you are dealing with power, in South America. Dino, for instance, lost the protection of the chullachaki caspi that was given to him earlier on, in Sachamama, during an ayahuasca ceremony with unknown curanderos elsewhere… The spirit of the chullachaki caspi blew air twice on to him, during a ritual with don Francisco and don Ruperto in the Ethnobotanical Garden. The spirit of the plant liked him very much and offered him a protection. For jealousy or spirit of competition, other curanderos that he met afterwards, elsewhere, took away this protection from him. He realized that only after he was told by Maria Montenegro, the Brazilian seer and camalonghera with whom he was living at the time. To answer to your question of how did I meet them, well…don Francisco I met in his house in Iquitos…at night…purely by chance. Don Ruperto I met in Sachamama, where he was the maestro of ceremonies at the time, before retiring in his pueblito where Dino did lat er on his “diet”. Don Agustin I met in Iquitos during an organized tour. Don Leoncio, again, was introduced to me by don Francisco, and was the other maestro of ceremonies in Sachamama. Don Julio and don Alberto I met in the remote Aucayacu, after Dino met them a year or so before. I feel the utmost affection for old shamans like don Ruperto, don Leoncio and don Julio. There is an ancient Chinese adagio which says: “a day with a maestro is like a life-time with your parents”. That’s exactly what I feel. D on Ruperto is a Capanahua shaman who can have access to the Muraya state, don Leoncio is a Shipibo shaman, a perfumero and oracionista, don Julio is a mestizo maestro palero, don Francisco is a maestro perfumero ayahuasquero (of Capanahua ancestry), and possibly the closest to our world. Don Alberto is a powerful maestro palero ayahuasquero, disciple of don Julio. I love them all, and we work hard to make things happening. A: There are millions Ayahuasca ritual goes around the world. What is the difference for you between the ritual with shaman in Peru & christian cult like Santo-Daime ? F: I find the ayahuasca rituals in the jungle as the most genuine experience one can have with the medicine. It deepens the perception of the mystery of the world, the jungle becomes a magical entity. In the city it’s not the same thing. You may still benefit from rituals in the city, but it’s another matter. Also, I like shamanism – like everything else – in its most primordial forms. I don’t like the association with Christian thoughts and believes and rituals. I like and I mirror into shamanism for what it is: shamanism. If I want to go to Church, I can always do that. May be it works for some people, with a Christian background and belief. It definitely doesn’t work for me, and I am not particularly enchanted or impressed by the SD origins and liturgy. But I am not being judgmental here. It’s a bit like martial arts: anyone has his or her own predilection and affinity. My predilection and inner affinity is with traditional ayahuasca rituals in the rainforest of Peru, led by traditional Peruvian shamans (whether indigenous or mestizo). A: I guess that Ayahuasca Drinks your shaman uses, they should be the high MAOI type. Can you recognize the recipe and ingredients when you drink it in 1st taste ? F: I can only tell you that the sweetest ayahuasca I have drunk so far was done in Sachamama. When I use the word “sweet” I am only referring to the taste, and not to a feeling…The secret is possibly in the use of canelilla in the plant mixture. The traditional ayahuasca brew made in Sachamama is prepared by boiling for about 12 hours a mixture of all - or parts - of the following plants (the ingredients change according to the intent of the ceremony): cielo ayahuasca (Banisteripsis caapi), puca-chari (unidentified, literally the name - which refers to a sweet variety of ayahuasca vine- means "red sweet", the word is composed by the Quechua word "puca"=red, and by the Campa word "chari"=sweet), huambisa chacruna (Diplopteris cablerana, a much more potent plant than the more widespread chacruna - or psychotria viridis - used in most parts of the Peruvian Amazon as the main additive to the brew), canelilla (unidentified), chiric-sanango (Brunfelsia grandiflora), ajos sacha (Mansoa alliacea), mapacho (Nicotiana rustica), chiri-caspi (unidentified, literally the word means "tree of the cold", "tree which delivers cold"), mucura (Alliacea cupita) and toe' (Brugmansia suavolensis). At times - again, depending on the intent of the ceremony and by the participants' degree of familiarity and expertise with the plants - it is also possible to add chicuru piri-piri (Cyperus sp.), bobinsana (unidentified), ayahuman (Couropita guyanensis), tahuari' (unidentified) and chonta-chiri (unidentified). I know that the recipe varies from place to place, from shaman to shaman, and makes the ayahuasca brew the most complex entheogenic formula ever devised by human kind. In the Aucayacu they use together with cielo ayahuasca and chacruna, also toe’, mapacho, chiric-sanango, chullachaki-caspi, capiroña negra and other teacher plants and trees. There is no ayahuasca that tastes good, mind you. This magical brew has not been designed to be drunk for pleasure or leisure. It’s often a challenge in itself the very first act of drinking and swallowing the beverage! The only ingredients I can recognize are the chiric sanango and possibly chiricaspi, for the sensation of trembling/shaking and cold that they deliver, and canelilla for the relative sweetness that adds to the brew. Chiric sanango also – sometimes – is responsible for night vision. I remember one night in Sachamama, during a ceremony last Summer, I could see – in the total darkness – the entire ceremonial space as if it was illuminated by huge flashes of white light. A: On the actual ayahuasca rituals of your "El Mundo Magico" shamanic tours, what does the shaman do for the people and you during it ? Singing icaros, blowing tobacco smoke, sucking illness, massages and the other like ? F: The ritual may vary depending on where it is done, by whom it is conducted, and for what reason. The constant in almost all traditional rituals is the initial protection of the ceremonial space (in Sachamama), the singing of icaros after about 20 minutes from drinking the first cup (both in Sachamama and in the Aucayacu), the blowing of tobacco and the sucking of illness during the curacion (both in Sachamama and in the Aucayacu). More specific healing sessions are engaged depending on the intent of the ceremony. For instance, one day, having violated the prescription of abstaining from sexual intercourse three days before the ritual, I had an arkana laid on me by don Leoncio, as extra protection for the ensuing ceremony. It was a powerful defence for the night of “el viento de Santa Rosa”… Don Alberto and don Julio work together when dealing with an illness, whether emotional, spiritual or physical, and engage and dedicated fully all their art, knowledge and power to clear the body of a patient from bad energies. This is not necessarily done during the ceremony. Can happen before or after the ritual. I especially love the “special effects” of their joint singing of the icaros…. A: How does shamans "See" where you are tripping & how they "Sing" icaros to guide our dream corresponding our actual exploded mind-states ? Is this just magic ? If you found their skill or any technical stuffs, please let us know. F: Well, this is question to make to the shamans themselves, not to me! It’s very mysterious the way the icaros work with ayahuasca during the ceremony. Sometimes they are overwhelming, and few people may don’t like – paradoxically – this singing during the ritual, whilst they are having a deep journey. It happened once to me, only once. It’s a difficult navigation in unknown realms during an ayahuasca ritual, and we all must acknowledge that without these icaros we may easily be lost in unknown territories. Personally, I feel deep reverence and respect for the singing of our shamans during the ceremony. Their style is all very different. From the melodic rhythms of don Francisco, to the metallic and powerful singing of don Leoncio, to the ancient and sweet singing of don Julio, to the vibrant singing of don Alberto, it’s all beautiful, fascinating, amazing. These are pieces of knowledge in ethereal form, made for the Spirit, and coming from the spirit. We are just spectators in the theater of the Spirit. The shamans are the main actors, and the Spirit is the art director. It’s hard to describe these feelings. A: You have recorded beautiful series of Icaros, al right ? Can you tell me bout these Songs you have collected ? F: We have collected a part of the icaros sang by our shamans – all recorded live during our trips to the Amazon – and made a selection in the form of a music CD. Some icaros can go along for hours, and it’s just impossible to make a CD with all the live recordings we have. We have produced so far two icaros CD, the first is sold out, and the new one just come out (details on www.ayahuasca-shamanism.co.uk/icaros2.htm. There is a huge work behind these CDs, especially in terms of digital editing, since we had to purge all the complementary sounds associated with the ceremonies (coughing, vomiting, purging…and the like….) to offer a pure, undisturbed version of the melodies, with which people may navigate and do their inner journey. It’s just impossible to do an ayahuasca ceremony without the accompanying orchestra of our bodily sounds…One of the reason behind the creation of this second icaros CD is, again, to help the shamans that have contributed in its creation. But…if we only print and sell 100 copies, we will barely get back the same amount spent for the production. Hence our appeal to people who work in music organizations to support our project for a larger production and distribution. A: How about your diet and discipline for the rituals? Bananas and fish diet & no sex is very special thing for ordinary people from the city. I guess it was so hard for us at the beginning. F: Bananas are not admitted during the diet. It’s a vegetable that resembles the banana in look and shape, but it’s in reality a vegetable, called plantain, and it has to be used when very green, then roasted and eaten without seasoning. Bananas and mature plantains are both very sweet and are not allowed during the diet. Of us all, it was Dino who did the diet in the jungle. He did the first bit in Sachamama, in relative comfort, and the main part in the most extreme conditions, together with don Ruperto, in his tambo in a pueblito several hours by motor-boat from Iquitos. It was hard enough drinking the plants, sleeping on the floor, without mattress, and the isolation, not to count drinking un-boiled river water…But you can endure all the difficulties associated with the diet if you have an unbending intent and a pure heart. Luckily the ayahuasca has some strong anti-helminthic and anti-biotic properties, which made possible for Dino not to catch anything serious during his months of diet, away from the world, without medicines, telephone or even a solid roof…. The fish, however, was caught fresh everyday! Things are millions of light years away in Sachamama though, which caters for western people needs, and whilst still offers to “dieteros” the primitivity of a traditional tambo, it also offers the comfort of a modern, beautiful and functional structure. A: Okay, Back to substance, can you tell me about what the power of the Shaman is? & How they handle this power ? What is a good shaman ? What is the power of the shamans? F: You feel it, during the ceremony, when they sing for hours and hours relentlessly, whilst you cannot even keep your eyes open! How they handle this power? If they are wise maestros they will handle their power in a safe and protective way for the people who joining their ceremonies. What is a good shaman? Someone powerful, yet responsible and humble. Who work with integrity. A: Ayahuasca could show us one of the deepest complexity of human brain. How about your hardest or deepest trip ? F: My hardest trip? Few years ago, in a farm (in Europe), with 30 + people, and scores of children making the most terrible noises they could do, jumping on the floor, screaming, joking, crying, and other delights. I have never seen such high degree of irresponsibility anywhere in Peru. An Ecuadorian apprentice-shaman led the ceremony, organized by a New Age group in Europe. A good shaman should not have allowed this to happen. But this is apparently the trade mark of the rituals organized by this group, together with some New Age singing, in front of the fire. I couldn’t stand it. People twisting the tradition in such a way that you lose track of what is what anymore. No icaros, no dark, no silence, no peace, no quietness. They offered to all participants some “blessed” tobacco, a mixture of ordinary cigarettes and pipe tobacco, which apparently was more holy than the genuine mapacho I carried. You could only smoke that crap, and not allowed to smoke mapacho, as this wasn’t blessed by them…I have never met or heard of a single shaman in Peru that would allow these stupid rules to take place in a ceremony. This is pure New Age madness and my gut feeling was – and is still now – that they are just messing around with the tradition and the medicine. A: Ayahuasca vision is so varied. We see so deep spots of our whole life and death. Can you talk bout dark side of ayahausca dream personally ? I feel sometimes that kind of negative spirits could get into our mind while we dream... F: I believe there are different realms accessible with ayahuasca. Among these, one is the “dream” realm, in the common sense of the word, where visions are too chaotic and not necessarily related to enhanced awareness and perception of reality, we may see demons, ugly beings or even holy things, which not necessarily exist out there. And another realm, which not necessarily relates to the do main of visions, which expose us to a very subtle and sophisticated perception of reality. With “vision”, I also intend to express this subtle perception of reality, anticipation of events, divination, prophecy, sensations that something is deeply right or absolutely wrong. During the night of “el viento de Santa Rosa”, there were quite a few strange things happening. We left the door of our tambo in Sachamama closed, and behind that the toilet door closed with a kind of lock, to avoid animals to enter from the back side of the tambo, half open. When we came back, at the end of the ceremony, Ignazia saw this strange human-like black creature squatting in front of our tambo. She screamed, and the creature jumped off in the wilderness. I thought at first it may have been an hallucination, given the power of the ayahuasca we drunk that night. But then, a fraction of a sec after, I saw the door of our tambo – which we left closed – wide open, and behind that the door of the toilet, wide open. It could not have been the wind, since it was locked. So, I immediately realized that Ignazia must have been right. Amid thunders, lightening, rain and wind I yelled with ferocious strength at this “creature”, cursing it whoever it was, wherever it was, from wherever it came from. I was mad of anger, but I was perfectly sane and in control of what I was doing. Ignazia thought I was just going mad, but I was not. The ayahuasca that night – and probably the night itself - were more than powerful, and the arkana (protection) of don Leoncio proved to be a superb protection. I had the mareacion until 3 and half hours later, and I was constantly repeating in Spanish: “aqui’ no pasa nada!” (Nothing will permeate the protection). “Todos sonos buenos amigos aqui” (All are good friends here). It’s always important to have a good maestro to guide you during – and after - the ceremonies. You are dealing with power, and you need protection and defences. Think at what happened to Pablo Amaringo…I remember the words of Castaneda’s don Juan: “A man approach knowledge as if he was going to war”… Only as a warrior one can resist on the path of knowledge. A: I believe shaman can not work out of nature. Ayahuasca becoming Quite popular now, rituals everywhere on this planet ! How we can guide this ayahuasca fashion to our Future community??? I feel often so many people "play" with it. We need real information for this psychedelic. What do you think about "general use" of ayahuasca in the city ??? F: It’s true. The shaman cannot work outside nature. As Francisco Montes put it “Without plants the shaman could not exist”. How to guide the ayahuasca fashion? Hard to say. You have to do your own personal quest. If someone has New Age feelings, he will naturally associate with New Age people and groups. If he is Christian, he will naturally associate with ayahuasca churches, if he wants to experiment on his own…he will experiment on his own. It’s a choice, directly associated to the nature of the seeker…Again, I have to remark one more time one essential thing: don’t call ayahuasca a psychedelic, don’t call it a drug. It’s a sacred, magical medicine that has been around for millennia. Don’t call it like you did, for a matter of respect towards this medicine, and for another important reason. This association with “psychedelics” only legitimate the perpetuation of the persecution from those ignorant, blind forces that rule and set law around the planet, the US at the forefront of this policy, and want to make ayahuasca illegal. The only good thing of ex-President of Peru, Fujimori, was to resist the US government pressure in declaring ayahuasca illegal, even there! By contrast, he declared ayahuasca integral part of the traditional medicinal heritage of Peru. What I think of the use of ayahuasca in the city? Well, on occasional basis, with the right shaman, in the right setting, it may certainly be beneficial. If you think that that may work as a substitute for the real thing, my answer is NO! The rainforest has been the place, is the place, and will – hopefully – remain the right place to do this experience. There is also another – social and economical reason – for which people who can afford it, should go to the rainforest. People who live in most areas of South America, and Peru is no exception to that, are in an appalling state of poverty. Everyone traveling there – however you want to do it, and with whoever – benefit local economy and local people, with various degrees of participation. For sure, by doing only rituals in the city, there will be will benefit only to the organizers and – eventually – to the single shamans participating. I know very well how our people in the Aucayacu (in Peru) feel every time we bring a new traveller. It’s like a king is arriving! A: At the end,, I want to ask you about the "MARIRI". I remember, Icaros of Jose Campos & others, Often Shmans sing about "Mariri". Can you explain me these meta-physical phenomenon of it ? F: The mariri…Ahh..The magical phlegm of the curanderos! A mysterious substance that can be regurgitated at will by the shamans. According to don Ruperto Peña Shuña it can be passed on to a disciple either mouth to mouth (once regurgitated it is contained in the hand of the maestro and thus passed on to the mouth of the disciple) or through a pipe. Dino, for instance, received his mariri by smoking in the pipe that don Ruperto prepared for him smoking the flowers of a special plant once they fell into the river water. It’s something that escapes rational comprehension. It is used by the shamans as a defence, as a protection. Anthropologist Luis Eduardo Luna hinted at the possibility that the mariris might be associated to the same mysterious force that the arkanas and the icaros come from. It is unique to South American shamanism. A: Cheers, Francesco ! |
| Magical
Songs and Incantations of the Master Shamans of Peru - Recordfed Liv'e in the Amazon Rainforest - |
| *ICAROS DE LA MEDICINA 1. Don Leoncio Garcia Sampaya 1:40 2. Don Francisco Montes Shuna 4:21 3. Don Leoncio Garcia Sampaya 8:25 4. Don Julio Gerena Pinedo 3:06 5. Don Leoncio Garcia Sampaya 5:55 6. Don Leoncio Garcia Sampaya 2:24 7. Don Alberto Torres Devila 1:25 8. Don Leoncio Garcia Sampaya 4:08 9. Don Leoncio Garcia Sampaya 7:05 la. Don Leoncio Garcia Sampaya 0:49 11. Don Leoncio Garcia Sampaya 3:38 12. Don Alberto Torres Devila & Don Julio Gerena Pinedo11:58 Total Running Time: 55:14 |
| - Derived
most likely from tlle jungle Quichua verb "ikaray" (*1), "to
blow smoke" for healing, the Spanish word icaras designates the
magical Iyrics, incantations, either whistled or spoken, learnt by the
shaman through the 'dieting' of plant teachers. The icaras are used in
a variety of ritual contests, especially (but not only) during healing
sessions and during Ayahuasca ceremonies, to establish contact with the
spirit world. The Ayahuasca vine (Banisteriopsis caapi), which lends
its name to the homonymous magical brew, ranks - along with the Coca
plant and the San Pedro cactus - as the most sacred plant in Peru. The
singing of the icaras - learnt by the initiate from the mother spirit
(madre) of the plants, animais, stones, or other elemental entities -
is of par-amount importance in the healing process (for the diagnosis
and cure of an illness). Icaras may be also used for a variety of other
shamanic tasks, ranging from protection to the performing of love magic
rituals (pusanga), or soul loss recovery, to quote a few. The icaros may be intertwined(*2) with other magical aspects of shamanism in the Peruvian Amazon: the yachayor mariri (the magical phlegm that the sllaman keeps inside his body and regurgitates at will), the ar!wna (or spiritual defence), the vira tes ('active' and 'passive' magical darts used, respectively, by brujas - e.g. sorcerers - and shamans alil~e, to attack or defend from an enemy), and the genias (or guardian spirits) of animais and plants. Icaras are essential in communicating with the spirits of the plant teachers (hence their importance in the preparation of the Ayahuasca brew and during Ayahuasca rituals), and reinforce the effects of shamanic prescribed remedies, either for healing or for bringing good luck in love and work. Ail the icaras featured in this compilation are icaras de la medicina, magical songs for healing during Ayahuasca rituals. Don Leoncio Garcia Sampaya, a vlslting shaman in Sachamama Ethnobotanical Garden. is a wonder fui 73 years old Shiplbo maestro, He received his icaros and oraciones (shamanic prayers or invocations) followltîg a strict 'diet' and drinking agua de florida (e,g."flowered water", much used by Peruvian shamans, especially during Ayahuasca ceremonies), and the perfume of Las Huaringas (from the sacred lagoons of the Northern Andes) made with 37 raots. Each root - according to Don Leoncio - lias a genio (a guardian spirit, or spirit helper), Don Leoncio, as an oracionista and as a perfumero, performs hls healing by singing first his oracion and then the icaro. His icaros, ln native Shipibo tongue, dont have a specifie name, they are ail called icaros de la rnedicina, As he puis it: "1 (caro es medicina para curar" - icaro is medicine for healing. Don Leoncio Gan access the Muraya state, one of the highest shamanic rank in the Peruvian Amazon, Don Francisco Montes Shuna is the founder and director of Sachamama Ethnobotanical Garden, A weil known and distinguished vegetalista, a maestro perfumero ayahuasquero and a renowned visionary artist. He describes the icaro as "a force charged with positive energy that ail curander store inside their body", The icaro de la virgin, featured in the present collection, belongs to the category of "icaros para la curacion": icaros for healing, during Ayahuasca ceremonies. Don Julio Gerena Pinedo. is an 85 years old maestro paiera affiliated to the espiritualista traditio ln the Peruvian Amazon, a paiera is a shaman who acquired his powers by 'dieting' for a very long trIlle on palos maestros ("master trees"). special hardwood trees whose mother-splrits are believ to be - in the sa me way as for the plantas maestras - repository of knowledge. A paiera is usually reputed to be stronger and more powerful of an ayahuasquero, though the Ayahuasca brew itself - more often than not - may weil contain barks and/or raots of palos maestros. Don Alberto Torres Davila IS a 46 years old maestro paiera ayahuasquero, disciple of don Julio, al 50 an espiritualista. We experienced the relentless power of hls singing, a taste of which we offer in this compilation. "When several maestros [...] are present at a ceremony. they aIl often smg the" icaras at the saine Ume. The effect is highly suggestive, and mdeed il cantributes ta the enhancement af the emaUanal state af the participants, and may even alter ar intensif y the content aftheir visians." (*3) We offer a sample of this special effects' in the last icaro featured in this CD, where don Julio Gerena and don Alberto Torres sing together during an Ayahuasca ceremony in the Aucayacu. Creating an amazingly beautiful and captivating atmosphere. 1. Luna, L.E.: "Icaras: Maglcal Melodies" ln Matteson Langdon, E.J. and Baer, G. Portais of Power - Shamanlsm ln South America, Albuquerque 1992 (p. 233) 2. Luna, L.E.: Ibidem: p. 242-243, quoting Alfred Métreaux 3. Luna, L.E.: Ibidem: p. 242 |
| El Mundo Magico, Ethnobotanical Journeys and Expeditions to the Peruvian Amazon Rainforest, 29 Riley House, Chelsea, London SW10 0BS, U.K. - Tel/Fax: +44 (0) 20 7352 2873 - Mobile: +44 (0) 794 122 7619 - Email: elmundomagico@yahoo.co.uk - Web: www.ayahuasca-shamanism.co.uk |